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LVMH's latest venture — a deadstock fabric platform

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A few weeks before the launch of Nona Source, LVMHâs new platform selling deadstock, the co-founders have transformed their office into a studio to shoot the fabrics in very high-definition visuals. There are scraps of soft curly llama wool in brown sugar hues, a swathe of electric blue double-faced silk satin beautifully arranged on a Stockman mannequin, and much more besides.
Nona Source, which launches this Monday, is the brainchild of Romain Brabo, formerly a materials buyer at LVMH-owned Givenchy. âIn my role, I would go to warehouses, and I saw the multiplication of deadstocks,â he says. âI thought: on one hand, there are young designers seeking beautiful fabrics to make their collections; on the other hand, couture houses are storing materials they have no use for. How to create a link between them?â Nona is one of the Parcae in Roman mythology, Brabo explains. She spins the thread of life, and Source is a reference to âsourcingâ ....

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3 Up-and-Coming Designers Who Could Shape the Future of Sustainability

3 Up-and-Coming Designers Who Could Shape the Future of Sustainability
In their work with seaweed shoes, creepy knits and Ugandan bark cloth, these designers are ones to watch.
Author:
Jan 20, 2021
In their work with seaweed shoes, creepy knits and Ugandan bark cloth, these designers are ones to watch.
As the sustainability movement continues to gain momentum, one thing s become abundantly clear: There are hundreds of different ways to join the charge. Rather than looking at the mandate to design responsibly as a limitation, the next generation of fashion designers are using those constraints to fuel even greater creativity.
Felipe Fiallo, Olivia Rubens and Cameron Williams are three emerging talents that prove sustainability can serve as the perfect fodder for innovation. I first came across their work as a press juror for the International Talent Support design competition; while each of the three took home awards, what stuck with me more than anything we ....

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